The endless quest of a not-quite-writer and almost-musician to try and create something of worth in a fight against procrastination, cider and a never-ending merry go round of pets. Follow this to find out how not to finish anything you start.
“Vimes
had once discussed the Ephebian idea of ‘democracy’ with Carrot,
and had been rather interested in the idea that everyone had a vote
until he found out that while he, Vimes, would have a vote, there was
no way in the rules that anyone could prevent Nobby Nobbs from having
one as well. Vimes could see the flaw there straight away.”
If
you are a fan of the Discworld novels, then this quote will probably
come to mind every time you go to vote in an election. It certainly
rattled round my head a lot on Thursday and Friday during the
referendum. However much I disagree with the Leave campaign, they
have won, and I have to find a way to make a positive out of that. It
has been a bitter, divisive and awful campaign that has torn apart
friends and families; I know of at least 4 people who have unfriended
each other on facebook (oh my god! The horror!) and will probably
never talk to each other again.
Of
course, the low point of all this was the assassination of Jo Cox.
However anybody tries to spin it, this was an act of political
terrorism, just because Tommy Mair wasn't part of any formal
organisation, he claimed allegiance to the leave campaign and called
Mrs Cox a traitor. That makes him as much a terrorist as Omar
Mateen, the Orlando
shooter. And
yet still, even after this awfulness, people were calling anybody
wanting to vote remain a traitor (including the guy I had this infamous argument with once), while those on the other side were
calling anyone wanting to leave, for whatever reason, racists and
fascists and bigots. I am just glad it's all over now, and I hope we
can heal the fractures running through society.
Even
the Leave campaign didn't expect to win. I realise that that sounds
insane, but it is the only thing that makes sense. Farage came out
apologetically, and all those Tory MPs wrote that letter saying they
wanted Cameron to stay. He didn't and their bet was safe anyway. I
have spent the day trying to come to terms with the result. I can
live with the leave vote, I can accept that we will leave the EU. I
have a problem with what happens next.
My
problem is that nothing will change. My problem is that the angry
people who have voted against the unequal, fucking dreadful status
quo have been lied to, and short changed. My problem is that the
people who woke up this morning happy that their children's future
was brighter and better, and filled with a well funded NHS, houses
for all, and jobs with living wages for anyone willing to put in a
day's graft will be thoroughly disappointed. I was told that 'no
fucking Europeans' would be telling us what to do now, despite the
fact that, as far as I am aware, none were anyway. And then when I
suggested that the bastards would always win, that 'at least they
were our bastards'. Hoorah for the brits, yay Jingoism. What the fuck
does it matter where a cunt comes from, he is still a cunt. I meant
Rupert Murdoch when I mentioned the bastards anyway, and he's
definitely not one of 'ours', whatever 'ours' means.
I
have never wanted to be wrong more in my life, and I would like you
to send me this piece in five years time and tell me how wrong I was,
and that Brexit (which is not a biscuit) was the best thing ever to
happen in the history of England. (For surely, the United Kingdom is
now utterly fucked, Scotland will get their second referendum, they
will leave, and wonderfully, the IRA seem to be making vague
mutterings about a United Ireland again, I can only apologise to
Wales for dragging them down with us, but we are England again, have
no doubt about that. I hope the woman shouting 'this is our England!'
on the news is happy now.)
The
call for a second referendum is utterly futile as well. I laughed
when Nigel Farage suggested that in the event of a 52/48 split
against him then he would push for another referendum. It would be
utterly disingenuous of me to suggest that it's ok for my side to do
it.
I
have heard from left-leaning friends of mine how they see our new,
bright future, and I love what my friend Steve Carter said :-
“On
a deep level, the universe is about change and in change lies
potential; potential for good or bad but change is what we have
chosen and we now have a real and palpable opportunity for change. I
think this is the first step in a long process of seeing good change
to our democracy. We have just said no to unelected bodies that
govern us so I now see the writing on the wall for the Lords in it's
current form - that has to change but it will take time. We also
remove the umph of the UK flag wavers - of course, the Scottish will
be flag waving. I expect the forces within the Labour party to
mobilise a real offence on the Tories but fear they may end up back
stabbing internally for a while. We are now blessed with a global
communication system and a much more liberal social outlook. People
are conscious of the environment and our place within a global
society so I do not see a swing to the right. I think we will see a
knee jerk to the left and I hope we have a GE soon. However maybe we
need some stability for the next couple of years. We have laws in
place for rights and the environment and I see nothing changing any
time soon in that regard. It is up to us to write to our MPs, go
demonstrating and make our voices heard. Only apathy we lead us to
nothing positive
and there are 48% who have woken up fuming today so hopefully they
will be vocal. Today is a good day for democracy. The EU, for all
it's good points, is far from a shining light for democracy.”
and
if we were exiting under a different administration, I might have his
hope, I
certainly don't disagree with him fundamentally, but I'm a pragmatist
and
we have done this under a government who are a fair bit right of
Thatcher. I
don't think
we're doing Progrexit.
I
am also once again proper cross with the BBC. I am certain that there
are decent, well-educated, sensible people voting leave. The
statistics bear that out if nothing else. But all the coverage shows
angry people shouting 'immigrants' and waving flags with no coherent
argument to back them up. Equally, there must be incoherent fuckwits
voting remain, but the media's 'story' is only showing the middle
class, lentil weaving graduates arguing some philosophical point or
another. Never before have I felt so much like we were being
deliberately manipulated in a 'divide and rule' kind of way. Fuck
your story, this is real life, don't pit whole communities against
each other. Now, more than ever, we need to be united in our intent.
Angry sink estates need to work with the intellectual wankers (I have
never felt more like an overgrown Adrian Mole in my life than writing
this paragraph) and overcome your prejudice. Inequality is everyone's
problem, and somebody somewhere is using it to keep us distracted and
fighting each other when we should be having a proper fucking
revolution.
I
am no expert, and I am still fairly sure that sovereignty is an
abstract concept unless you want to be in North Korea or Russia, but
I can't see how it makes any difference in the real world. It's
not often I agree with Alastair Campbell, but when he says that we
elect other people to understand the complicated stuff and make
decisions for us, I think he's right. I don't pretend to know how to
write a budget, or run a government department anymore than Tony
Blair could write a
really funny song about a cat leaving headless bodies all over the
house, or some lengthy
pointless bollocks about looking at naked pictures of Prince.
Referendums are largely a bad idea.
Nobody
is actually going to stop immigration. We need it to keep the country
going. Wages are not going to go up even if all the immigrant labour
goes back home tomorrow. Austerity will carry on, rich wankers will
continue to own more property than they can live in and homes will
continue to be for profit, not living in. Look at all the big empty
towers of London. Company profits will continue to go towards
dividends while the people doing the work are told they can't be paid
more because of the Romanians willing to do it for less. Outside of
the EU, or inside the EU, the people in charge are the same people,
and there are less other people watching them now. It will be bitter
to watch the same people still suffering even when the cheap foreign
labour has been deported, after they have been given false hope
today, and I will take no joy in telling them I told them so (I will
still tell them I told you so though).
You
have been sold a scapegoat, it will take you years to realise it, and
I hope to god that I am wrong and you get to tell me to my face.
Capitalism is your enemy, and a lack of investment. EU regulations do
not stop nationalisation, which would solve a huge amount of problems
in at
least a
couple of industries. Thatcher sold us all a lie along the lines of
the 'american dream', Blair and Cameron have run with it, and now we
are all accepting of the Capitalist nightmare, and that the laws of
economics are the same as the laws of physics. When
the blinkers come off, I will be at the barricades with you, and I
will stay your hand at the guillotine. I would like a truly bloodless
revolution, (the less said about Farage's
tasteless bullet comments the better) and a truly fairer society.
As
an anarchist, and no respecter of borders, laws or conventions, today
should have been water off a duck's back to me. But I do not like to
see people duped, and I do not like to think of where they will throw
the blame in five years time when things are no better for them.
Also, I have ducks, and they hate the fucking rain like everybody
else. Like Jo Cox (who I knew little about before her assassination,
and cried over for a whole day) said “we are far more united and
have far more in common with each other than things that divide us.”
Just like me and my ducks.
Don't listen to the bullshit, look with your eyes.
This year began with
the unexpected death of my beloved dog, Rizla. David Bowie died the
next day and cemented the theme for the rest of the year. Sitting
drinking scrumpy alone in the rain on my thirty ninth birthday this
week really brought the full awfulness of 2016 in general (not
personally, I'm ok, things are good, don't worry) home to me. Never
in my life have I spent as much time crying over people I have never
met (and in the most recent and dreadful instance, barely knew
anything about, but I have never felt so sad and powerless as I did
on Thursday night after hearing about the needless murder of Jo Cox.
All day Friday – and I apologise for the slightly clichéd
simile here - I felt like there was a grey mist about me that would
never lift.) as I have done this year.
I have to confess,
when I'm on holiday, I consciously avoid the news. I even avoid
social media, since a quick facebook scroll is no longer uplifting
and life-affirming, it is utterly dreadful and leaves me even more
depressed. I realise this is supposedly childish, but children tend
to be happy, unless given a reason not to be (I am aware just how
ridiculous some of those reasons can be). And this week, if you want
a reason not to be, then watch the news. I'm not going to go into all
this week's awful here, but I'd be surprised if you hadn't noticed
it.
Of course, very
quickly after being a child, you become a teenager, and then you are
presented with a million new reasons not to be happy, most of which
revolve around what other people think of you, none of which actually
matter. Unfortunately, you won't realise this for another twenty
years or so, and there will be a surprising amount of people who are
still hung up on it when you get there.
At the moment, like
everybody else, I am devoting much more time than I would like to
trying to work out if I actually give a shit if we are part of the
European Union or not (spoilers, I do care, but I am not telling
anybody which side I am on, in case I have to argue about it, which
is now officially the thing I am most bored of in the world). I was
talking to someone the other day – who shall remain nameless, I am
not interested in petty point scoring – who told me that people
don't understand the EU thing. I agreed, and then they explained to
me that people thought we were voting to leave Europe, but we were
only voting to leave the EU. As if we could hack away at a tectonic
plate and float ourselves off on a wave of magma were it a different
vote. This is just one reason among many that I have stopped arguing
about the EU. This same person was also asking if I was as right wing
as they felt, as I stood there with my Jesus-features, in my
eco-friendly sandals, recycled brazilian tarpaulin hat and army
surplus coat, ordering the vegetarian option and the locally produced
organic cider.
But this is not
about the EU. This is about getting older, and not giving a shit
anymore. Which I don't think I do, in or out, we are still all being
fucked over by global corporations and having to be grateful that
they pay us just a bit less than it takes to live on. But again, this
is not about the EU, apologies for the brief tangent.
Those teenage
hangups will always haunt us. Being laughed at for whatever reason
sticks with you. I touched on it briefly in my
last
blog about music snobbery, but that was only the tip of the
iceberg. I love to dance, I think secretly everybody loves to dance,
and that awful maxim 'dance like no-one's watching' only goes so far.
Somebody is always watching, even if it's just you. And you are the
meanest, snarkiest critic you will ever have. So no, don't dance like
no-one's watching, dance like everyone is looking at you and you
don't give a shit. I have been recently, and it's been brilliant. I
worry about writing anything too positive in case some wanker writes
it in quotes on a picture of a sunset, but I'm willing to take the
risk this time.
For bank holiday
weekend, me and Netty went to Brighton, and danced ourselves stupid
at the Fortune of War on the seafront. They were playing Prince,
Prince related songs, and possibly some other dirty funk that wasn't
Prince, but I think it was all Prince, right on the beach and
righteously funky. It reminded me that back when I was at school, I
loved Prince, I had seen the cover of Lovesexy and thought that
Prince might be the coolest person I had ever seen. I saw him
writhing all over the stage in Purple Rain, and was as jealous as a
teenage boy can be of his trousers, his
devil-may-care-telecaster-across-the-back-on-a-motorbike attitude and
everything about him.
However, I was
worried that I would be called gay.
I know, but it was a
different time, and I am also aware that I was most worried at the
reactions from the school rugby team, who I played second row for - a
role which requires you to fondle the testicles of the man in front
while sticking your head between two bottoms. Yet I was worried that
my love of Prince would make them think I was gay.
To clarify, I am not
gay, I have checked, and I don't fancy men. I don't even fancy Prince
(though I think I could be forgiven for that one if I did). In the
same way as other, more stereotypical teenage boys saw James Bond
movies and wanted to wear a tux, shoot guns and drive Aston Martins,
I saw Prince and wanted to lie about naked looking this fuck-off-cool
-
- or wear womens
underwear and wank off a telecaster neck.
I know that this
does not make me gay, and I also know now that I wouldn't care, and
it wouldn't make any difference to me if it did, I am mistaken for a
homosexual so often now I have stopped bothering to deny it.
I am not sure which
makes me sadder now, the fact that I denied myself so much awesome
music in case I was accused of being gay, or the fact that I thought
being gay such a bad thing to be accused of. I'd like to think that
in these more enlightened times, kids at school are out and proud,
and when accused of being gay they answer in the same way as you
would when asked where you live, what's your name, what's your sign
etc. etc. I realise that we are not there yet, but surely it can't be
much longer now before we stop using Gay as a casual insult forever.
Homophobia and Misogyny are so rife in our culture at the moment that
it can even affect (albeit in a tiny, ultimately trivial way)
that great bastion of Great Britain, a public school educated
straight white male like myself. It is this ingrained fear of being
gay that (possibly, if early reports are to be believed) were the
actual root cause of the terrible and heartbreaking scenes in Orlando
last week (YMMV IMHO and so on).
After the Fortune of
War, we went on to Legends, a marvellous gay club on Brighton
seafront. I went down to the cellar dancefloor, and got my funky
thing on. A lovely man offered to 'shiver me timbers' for me (we were
dressed full pirate, which turned out to be a good idea, as we were
invited in to all the clubs along the seafront for nothing, ahead of
the massive queues ahead of us, and with the prospect of free
cocktails inside. Two middle-aged pirates dancing all the way along
the beach, ahead of a long line of young, conventionally-beautiful
people who had to pay. There's a lesson for you if you like free
drinks.) and instead of offering a horrified 'I'm straight! I'm
straight!' - whatever that means - I merely smiled and told him I was
married. Thankfully we now live in a country where I can tell anybody
I like that I am married without revealing my sexuality. He probably
figured out that I was married to the other Pirate who was right
behind me, and a woman, but hey, baby steps, and I am a product of a
society that made me afraid to admit I liked a popular black American
singer because he was naked on the front of his record.
Anyway, Prince makes
me think I can dance like this
Seriously,
don't start me on my Michael Jackson Fanboi hangups either
When I actually dance like this
thanks to my friend
Marcus for catching us dancing in the square to the marvellous Anthem
playing Bon Jovi last weekend. I accept that I (like most musicians
who aren't Prince) am a terrible dancer, but I am enjoying myself,
and you can all fuck off. In my head I believe I look like Louis the
14th in Versailles (if you're watching) when in fact, I
look like the old grey grizzled buggers in it instead, and am rapidly
approaching full-Gandalf.
Nobody on their
death bed regrets not spending enough time sat at the side of the
dance floor making snarky comments about the people out there having a better time
than they are, so get on up, get on the good foot, and do the bad
thing while you still can. Stand up, say it loud, I'm a terrible
dancer and I'm proud.
Twice
a year, the internet erupts with 'serious' music fans denouncing what
they are watching on the television. The Brit Awards, and the
Eurovision song contest. Personally, I like both of them, as I am not
15 anymore and have finally gotten over myself.
The
problem with being a teenager (which I have not been for nearly 20
years now) is the crippling self-doubt and desperate desire to be
accepted on whatever terms you have chosen. I was never one to try to
fit in, but, ironically, in deliberately not fitting in I then had to
ensure I lived up to those conditions that I had set for myself. If
that makes sense.
This
problem is never more evident than when it comes to one's musical
preferences. Even now, upon hearing a song that I really really like,
my first instinct is to check who it is by, and which genre they fit
into, and whether I am allowed to like it or not (in case some cooler
kids in the playground laugh at me for my Kajagoogoo pencil case
again*). Which is a bit rich coming from somebody who proudly owns
records by Barry Manilow, Rupert Holmes and Cliff Richard. This came
to a head recently in the Totnes branch of Oxfam when I heard this
song:-
Holy
shitballs, that is really Abba, and really awesome
I
loved it, and asked the nice man behind the counter who it was, as I
don't have shazam,
or understand how it works and I suspect that the signal in Totnes is
not strong enough for such a thing to work. Imagine my mortification
when he told me it was Abba, the most ridiculed of all bands (by me,
I hasten to add). The poppiest of the poppy, the one that all the
mums have been dancing around their handbags to since the 70s, the
most despicably accessible music ever recorded – my sister likes
them for god's sake! How dare it be catchy and enjoyable for everyone
(joyless bollock-wranglers like myself excluded of course).
When
I started listening to Heavy Metal in the late 80s, I had
to pretend
that I had never liked Bros, Baltimora, Big Fun and Brother Beyond, a
few years later when I discovered Punk music I denied my love of
Poison,
Mötley
Crüe,
Skid
Row and
Whitesnake (and
never mind when I had to move on to Lard, The
Descendents,
Sub-Humans and ever more niche and obscure punk, dismissing the Sex
Pistols as 'lightweight').
When,
in 1996, I heard a catchy new song called 'Wannabe', and spent a good
week jigging about to it on the production line I was working on, I
found myself mortified to discover it was by a band aimed at pre-teen
girls. I shouldn't have been really, it's a fucking great song.
Because
fuck you, I like it
But
I am still second-guessing myself, I recently saw this performance on
Jools Holland, and loved it so much that I immediately ordered
the album.
I
wasn't sure if I liked it or hated it on first watching, always a
good sign
and
in the original french, for those of us who like that sort of thing
While
waiting for it I listened to the original french language version of
it on youtube for 5 days straight. I've always liked foreign language
music (including opera) possibly because I never really listened to
lyrics anyway. Not understanding what the words mean leaves you free
to enjoy the music more, rather than trying to work out what the
words are, and what they might be about. My lack of attention to
lyrics led the twelve year old me to believe that Pink Floyd's The
Wall was a tale of a country freeing itself from a tyrannical fascist
regime, until the film made me see it as the self-indulgent Roger
Waters wankfest it really is. Doesn't stop the songs being great; it
just means the concept is, as I have already said, a self-indulgent
wankfest. This could all be why my own songs have now been stripped
of any deeper meaning and are now the equivalent of Paul
McCartney's famous Scrambled Eggs (I prefer that version).
shameless
plug once again, sorry
Since
my copy of Chaleur
Humaine by Christine and the Queens has turned up, I have been
listening to it over and over and over again, like I haven't done for
ages with any record. I can fondly recall other records that got this
treatment, in 1991 I listened to Anarchy in the UK pretty much every
morning; Summer 1993 was punctuated by Creedence Clearwater Revival's
Pagan Baby in a similar way; A perfectly happy relationship of nearly
3 years broke up in 1996 because I couldn't stop listening to Steve
Miller's The Joker, and in its miserable aftermath I found almost
never-ending solace in Hey Jealousy by the Gin Blossoms on a
perpetual loop. (You will notice that none of this is particularly
music snobbish, but the White Noise's first album got similar
treatment at one point, and I listened to a lot of Grateful Dead
after that breakup.) However, in my thirties I have not felt the need
to play the same song over and over again. At least not until I heard
this: which I am. I am slightly unnerved that I have not heard it on
6 music once. Which means it is either on Radio 1 or 2 (I wouldn't
know) - which puts it into the wrong bracket for the personality I
have been desperately trying to project since I was 12 – or it is
not on any radio station, in which case it is obscure french pop
music that nobody else is listening to, and my teenage self approves.
Seriously,
if you're going to be a depressed teenager in the 90s, listen to this
song every day
I
know, but just listen to this, ok? It's really good
It
is this kind of obsessive reasoning that can really stop you just
being happy if you are, by your very nature, a music snob. Which I
have been accused of enough times to know I probably am. Although I'm not really, if I'm honest. I like Justin Bieber's new music, I think a lot of Lady
Gaga's stuff is absolutely sublime. I like Kesha, and most of my
favourite songs are from Sesame Street. I am a long way from cool,
and I don't know why my subconscious still worries if my music taste
is reflecting the right image. Somewhere inside is a thirteen year
old kid who is coping with being laughed at for being a bit weird by
stretching that weirdness as far as he can – colouring his hair in
with marker pens and wearing lime green (with gold pinstripes no less) charity shop suits while
listening to krautrock
and the Residents. If I could tell him one thing it would be that it
is ok to like the Residents and Tiffany at the same time.
Tiffany's first (and as far as i am aware, only) album is one of the only cassettes I didn't throw away when I moved
house 3 years ago, and I only kept about 10 out of something like
500. I am on my third copy having worn the other two out.
I
still don't understand people who don't like the Residents
My
fear of pop music was finally exorcised when I was playing in a show
band that all enthused over Justin Timberlake, Destiny's Child and En
Vogue. All acts I had been treating with disdain in my official
position as an alternative, punky, gothy rock type. All great songs
(which I already knew in my head) and all great fun to play. Around
the same time I caved in and watched Eurovision after refusing to for
years. Like a lot of people I know, I had sneered at it for not being
worthy, not real music. As I watched these happy people dancing
around the stage in sheer abandonment (many of them in their native
tongues, bringing back my love of unintelligible lyrics) I realised
that that's the point of Eurovision (and Pop music's raison d'etre)
it isn't trying to change the world. It's a bit of fun, a small ray
of joy in a world filled
with awful, a way to bring a continent of disparate
people together in mutual vitriol over the pretentious and dreadful,
and wild joy over the utterly batshit insane. My only regret is that
it took me so long to get over myself, stop pretending to like REO
Speedwagon 'ironically' and just sing along with Can't Fight This
Feeling with the car windows wound down and tears streaming from my
eyes (which, deep down, we all want to do).
There
are two types of people in this world, those who admit they love the
speedwagon, and liars.
*disclaimer
– I never actually had a kajagooo pencil case, I got laughed at for
a Bon Jovi cassette, but that makes me sound a lot cooler than I
was/am.
A man in a pub - who
had just had this blog recommended to him by a friend of mine - asked
me what it's about. I would like to say that I replied with 'about
3000 words a couple of years ago, but I can generally pull it in at
about 1000 these days, if I don't go off on a stupid tangent about
people I spoke to in the pub,' rather than shrugging, taking a slurp
of my pint, muttering, 'I dunno, cats? Pop culture stuff?
Inappropriate over-sharing of my personal life?' and wandering out
for a cigarette I didn't really want as I hadn't yet hit that magic
third pint where I stop being a miserable misanthropic twat and
become the witty raconteur you know and love.
Sadly, this lack of
an overarching theme is continued in this latest instalment, which
was already mapped out in my mind way back on Thursday night, and
would have been written and perfect by lunchtime on Friday, if it
weren't for two minor problems. I am a slave to my circadian rhythm
(my favourite Grace Jones B side) and modern working hours
conventions. Inspiration generally hits me just as I am going to bed,
or as I am walking to work in the morning. Sadly, I am not in the
position to be able to sit up all night writing whenever the muse
hits, as I have to work for a living, which is why I can't then sit
and write it all up in the day time either. Like most people, I have
to remember it all in the evening, when I'm knackered and have
forgotten almost all of it. I am writing this on a Sunday, it's been
nearly three days since I came up with the original theme for this
piece, and I've mostly been drinking in the intervening time (I was
out dancing til 2 in the morning last night, like I haven't done for
over ten years. Netty has finally relented her ban on my dancing
where other people can see me).
Walking has been my
favourite source of inspiration for as long as I can remember, and I
don't do as much as I used to. Writers are always told to keep a
notebook on them at all times, to write stuff down as it strikes,
which is all very well, but can any other writers please tell me how
they manage not to lose their fucking pen every time they step out of
the front door? I now use a notebook app on my phone, which is
slightly more reliable, though prone to run out of battery, and
autocorrect leaves much of it as incomprehensible as my Doctor-worthy
handwriting is. My walking these days is mostly confined to walking
in and out of work four times a day along a road with no pavements.
Trying to type in a note as the rain lashes down on my screen while
jumping into a hedge to avoid being crushed by a tractor brings home
the terrifyingly brutal nature of being a 21st century
rural not-quite-writer (but is more legible than my wet, inky
handwriting on papier mache would be in similar circumstances). If
there is one thing I miss about living in a town it is pavements.
This
is the view from next to my house, I have been walking past it four
times a day, every day for the last three years, and I still never
fail to stop and be impressed by it, these sheep think I am their King, or that I have food, I am not sure which. This is not the best angle and the view normally looks better than this, it is the best picture of the sheep though, and I felt that was more important, despite the text making the opposite plainly true.
Dartmoor is always
in view in my bit of Devon (a fact I usually celebrate by muttering
'Hello Dartmoor you magnificent big green bastard' as it hoves into
view on the horizon as I drive home) so the wife and I have been
doing some walking on it recently. I downloaded an app to help us.
Technology is brilliant, and to those who say I should just use a map
and compass, I say to you that in order to navigate by map and
compass you need to know where you are in the first place, and I'm
not so good at that. To the smug, outdoorsy people who say to me
'well, what did you do before you had a smartphone then?' I am forced
to reply, 'I got lost, all the time, it was shit, I have a smartphone
now, it is better, now fuck off.' I have a similar argument prepared
for my excessive use of satnav in the car.
Walking on the moor
(which we are doing a lot of at the moment because Netty is doing a
charity walk in the middle of the night with my mother next weekend
please
sponsor her here, thanks) is proving rather more emotional for us
than we expected. I've always been deeply suspicious of people who go
out for walks and don't own a dog, and it does feel particularly odd
being one of them. In case you are new here, or you didn't know, my
beloved dog Rizla had a massive heart attack and died in my arms the
day before David Bowie died in January. Much as 2016's death roll-call has been taking its toll, this is still the one I have most
trouble getting over. I have tried and failed to write about it lots
of times since, but ended up changing the subject (like
I did here) or turning off the computer and doing something else
instead. With unnerving prescience I managed to write the
best tribute to her three months before she died and haven't been
able to top it since.
Man
and Dog, out walking, as it is supposed to be, Rizla's long-suffering look is not coincidence, I had been trying out jokes on her all morning by this point
The thing I have
found intriguing is the immediacy with which people will say to me
'are you going to get another dog?' And while I accept that this is
standard when someone loses a pet, I am forced to question it. If,
god forbid, my wife were to die, would your first question be 'are
you thinking of getting married again?' if one of the kids died would
you ask me 'are you thinking of getting some more kids then?' I
suppose you might, but you probably wouldn't, right? Last time I was
without a dog I ummed and ahhed about getting another one until some
friends of mine told me they had free puppies and offered me one (and
Netty insisted, see here for more details). Another friend in the
pub last night (while I was still in the heady daze that only comes
with a solid fusion of scrumpy and James Brown) gave me a similar
story, and I may have once again been talked into getting a puppy.
However, neither he nor I are sure if the puppies will even exist
yet, so nothing is set in stone.
The cats do try and
fill the big dog-shaped hole in my life. Duchamp regularly takes a
massive dump on the living room floor, Bitey insists on coming for
walks with me, and George Orwell stretches out over the entire sofa
revelling in his spectacular flatulence. I didn't realise quite the
extent to which Rizla was keeping them all in check until spring
burst forth recently. The glorious spectacle of life bursting out in
all the hedgerows and moorland by my house is transformed into a
macabre carnival of death and horror. Every morning, without fail, I
have to scrub the blood off the walls, pick up the carefully arranged
intestines (I'm sure they spelled out 'you're next' this morning),
hoover up the feathers and try to locate any survivors for relocation
to somewhere far away - where doubtless some other evil murderous
feline will finish the job, but I will feel better about it. I always
thought the dog was being a dick when she used to bark at the cats
and send them straight back out of the catflap again. I suspect it
was just because she had magic dog ears and could hear the terrified
cheeping and squeaking of the victims they were carrying. So far this year we
have had rabbits, moles, all types of bird, and most impressively, a
squirrel. I am still convinced that there will be a sheep one day, or
even a cow, if they can get it through the catflap. It's not their
fault, they don't realise that my gift preference is for French Disco
records, not corpses.
Yes,
we took a photo of Bitey with the squirrel, (it was far too late to save it at this point) at
least it still had it's head on, George Orwell and she both have two bells on their collars now, short of attaching one of those supersonically-high-pitched electronic rodent repellers to them, or some kind of siren, I am at a loss as to how to stop the murder. And yes, I am old enough to rock those slippers now.
The reality of all
pet ownership is spending hours of your life elbow deep in offal,
vomit and faeces, but for some reason we keep doing it. Today I
realised the extent of the dog-shaped hole in my life, as I had to
force myself to walk away from a hamster in a pet shop that I had
formed an unshakeable bond with. He was ginger, and trying
ever-so-slightly too hard to get on with me, and I had already called
him Ron Weasley and planned our long and exciting friendship before I
realised he was a hamster, and I live in a house filled with evil,
plotting murderous bastards who need to be stopped (they already tear baby rabbits limb from limb in front of our guinea pigs and rabbits, in some kind of 'look what we're going to do to you if we get in there' display of power). The only way to
do that is probably to get another dog, let's hope my friend's puppies
are real, and not a funk and cider inspired hallucination.
Q: When can a new,
exciting, dangerous art movement be said to have truly lost its edge?
A: When a group of
middle-aged, middle class people holding umbrellas are dragging their
children around Bristol on a guided walk of it by a wildly
enthusiastic, fiftyish (sorry if you are reading this and younger
than that, I assume a lifetime of the lifestyle has taken its toll)
chap in a sensible lightweight waterproof jacket.
That's
me on the far left, don't let my feigned cynicism put you off, it's a
really interesting walk
This was my
realisation last weekend as my wife and I trudged the pavements of
Stokes Croft on a tour of
Bristol street art. Street Art, Graffiti, or whatever you want to
refer to it as, has been defanged; it is now as dangerous as the
pre-raphaelites, pointillism, cubism and pop-art. We were on the walk
to see if it would be appropriate for my wife's private school GCSE
class to go on, that's how edgy the spray can brigade are now (they
have their own specialist paint marketed at them by big corporations
and everything). I think a few of the other participants were a
little miffed that we only saw two Banksys, and that the very
enthused guide was far more excited by newer work, and Graffiti's
inherently transient nature. I liked him, I learned stuff, although I
agreed with the guy who had sprayed 'Fuck Banksy' on the side of a
wheelie bin in silver paint. Banksy is to Graffiti what Mumford and
Sons are to folk music (I accept that that might be a bit strong,
nobody deserves to be compared to Mumford and Sons plc).
This
is not in silver paint, or on the side of a wheelie bin. I didn't
take any photos.
Art, by its very
nature, is an ever changing, ever evolving thing, and so it is only
natural that big, colourful, barely readable letters on the side of
trains would become accepted and boring. Of course, Graff/Rave
culture is all well over thirty years old now, and by rights should
be as dead as the hep cats and Daddios of the beat generation were
when it sprang up. But it's not, perplexingly. Millenials (I think
that's what we've decided to call them yeah?) appear to just be
running a continuation of the culture that we generation Xers handed
down to them. Spray your name on a wall, eat a disco biscuit and chew
your face off to some seriously dirty beats, just like 1989
(except they spell it dutty now).
Not
so very different, apart from the hair, obviously
A young chap in
Bristol city centre on Saturday was singing DJ Luck and MC Neat's
1999 garage classic 'With a Little Bit of Luck' to me as he handed
out flyers to a dance weekender. It is possible that he recognised it
as something an old git like me might recognise, but it is still akin
to me handing out flyers to a free party in 1992 (when
we were still allowed to meet up in fields and dance to repetitive
beats) while singing 'I Wanna Dance Wit' Choo' by Disco Tex and
the Sex-O-Lettes. Which, I must confess, I may well have actually
done, but I am special.
It worries me
though, my Grandparent's generation had Jazz, modernism, berets,
trench-coats and sneaky reefers. They went on to ask their kids what
that god awful noise was and why on earth those blokes had such long
hair. My parent's generation got Rock and Roll (which in my very
broad definition includes Psychedelia, Heavy Metal and Punk) Pop art,
loon pants, winklepickers and LSD. They wanted to know why the music
we listened to had no discernible tune, and invented the
rap-with-a-silent-C joke for everyone to enjoy. My generation got
huge, phat (with an emphatic PH) electronic bleeps and beats,
Hip-hop, Graffiti, massive trainers, flowerpot hats and Ecstasy. We
are still young enough to believe we like current music (luckily for
us it is not radically different yet).
This is not my mate Tom, looks a bit like him though
The next generation
seem to be content to drink over-priced coffee and grow over-long
beards while listening to the same tired old trance anthems and
munching on the same horse tranquilisers that the hippies were
messing around with in the 70s. In their defence, we are doing the
same thing, generation X is nothing if not greedy, we hung on to the
coat tails of rock and roll, we can latch on to the hipsters flannel
shirts if we want to. Of course, the big difference is how well it is
all classified into sub-genres nowadays, it can't even be narrowed
down to one type of glitch
hop for fuck's sake (it's possible that critics just need to do
something to justify their existence, so why not new genre names. I'm
still a big fan of Post-Womble-Deathcore-Hoedown).
It
might be because they have the new frontier that we never did, the
world wide web, interconnectedness with everyone all the time, a
platform to broadcast your every thought and whim upon, and consume
all the culture that ever was.
There's a lot of it
out there already, maybe now it's all so accessible there's no need
to invent anymore. Or
possibly the next
mass change has
already happened and I am just too old to realise that it is not just
vandalism/noise.
Broadly speaking I
can drop modern, popular musical movements into 3 stages (I'm a
musician, my wife's the artist, if I keep up the art talk I'm going
to get found out as a bluffer pretty quickly) the Jazz age, the Rock
age and the Electronic age. The first half of the 20th
century was dominated by big bands, crooners and swinging good times,
and then Elvis, Scotty Moore and Bill Black turn up and turn
everything upside down (Rock Around The Clock is Big band Swing, I don't care what anybody else says, it is NOT Rock and Roll). After that it's all guitars and rock (be it
'n' roll, -abilly, prog or punk) until Giorgio Moroder buries
everything in synths, Run DMC sample all the beats and old men with
guitars and trumpets harrumph and say it isn't music and anyone can
do it (it is and they really can't). Of course there is a seam of pop
music running through the whole thing from Irving Berlin to Justin
Bieber whose only concern is creating earworms to get your
foot-tapping and your granny humming along.
Small confession, I think Love Yourself is a fucking top tune, and I am not sorry
Of course people get
upset that their idols get old and continue to play, shaking their
heads at grey-haired, arthritic rock and rollers still strutting
about the stage, not remembering that the old swingers, jazzers and
bluesmen played and sang until they dropped (some of them have not
dropped yet, nobody is telling Tony Bennett he should stop now). I
remember Phil Cool
doing a routine about the Stones still playing in the 80s – I can't
get no... Sanatogen - he thought they should have stopped then...
These people are
more upset at the very visible evidence that they are no longer
young, virile or relevant, rock is dead, get over it. I'm sure
sometime back in the late 16th century some ludicrously
hatted Italian noble lamented the fact that Giovanni the Madrigal guy
was still trying to to fit into his minstrel's tights at his age.
I was told these guys were past it when I saw them 25 years ago
After the walk, my
wife and I laughed at the idea of the old people's homes of the
future having an afternoon rave rather than a tea dance, or a sing
song. But Ebeneezer Goode is the new Knees Up Mother Brown, make way
for the next thing. The original rockers probably never expected to
be grey haired and supervised either, but eventually the day room
will be filled with black lights and glow sticks and the disco
biscuits will be rich teas (predunked so as not to hurt your teeth).
Back in 1985, my
family got its first video recorder, my mother used it to record a
dramatisation of Dickens' Little Dorritand
to the best of
my knowledge she still hasn't had the time to watch it. I believe
that the only reason my parents still own a VHS player is the
mistaken belief that one day they will have both time and inclination
to watch this disappointingly dated Dickensian drama.
This
is Charles Frere, not Charles Dickens
I myself have always
had an unhealthy - bordering on the abusive - relationship with
television; badmouthing it behind its back while it emotionally
blackmails me so that I can never leave it (every time I threaten to
throw it out over a bad episode of Doctor Who it promises me exciting
Sunday Night dramas but almost never delivers - the Night Manager was
good though wasn't it?) Back when my parents were relentlessly
recording every episode of Howards' Way, Dynasty and Poldark (at one
point my father had three seperate video recorders to avoid clashes
and briefly considered a fourth) I used to laugh at them stacking up
hours and hours of material that their incredibly busy lives would
never allow them time to watch (I suspect they may have invented
binge-watching while we were out, a good twenty years before anybody
else had thought of it). At the time, I would keep an eye out for any
new series of Red Dwarf, and that was about it. The rest of the time
I was content to watch whatever happened to be on when I was in a TV
mood.
Mum and Dad never
used to understand my ability to watch any old shit, just as I
considered them to be in thrall to the schedulers and could not
understand their need to find time to watch the many things they
wanted to watch. I did briefly start using a video because by the
time I got in from a gig and wanted to watch some TV there was only
Ceefax on, but then TV went digital and a million new channels
appeared and they all went on all night. Suddenly everything was a
lot more confusing and it was impossible to follow a series because
every time you put a show on it turned out to be an old episode from
a year ago, unless you ignored it, in which case it was the last one
that for some reason was the only one that would never be repeated (I
have still never seen the last episode of Quantum Leap, I hear it's
good though). So, despite trying to watch the big series like Lost
and Heroes I mostly missed them and just watched movies, cartoons,
old Star Trek episodes, and DVD box sets; not all at once, but the
odd episode now and then, like a normal human. Also, by this time I
was living with two teenagers, so I mostly had to watch whatever they
wanted to and, as a result, can no longer watch the Simpsons.
I cancelled Sky a
few years ago (hoping to encourage the kids to move out, it worked
eventually) and gave up watching Game of Thrones (I might not even
bother buying the next book, since the last two made it abundantly
clear that George RR Martin has no clue what he is doing anymore) I
felt free, there was less TV making me try to watch it all the time.
But then, last year, I bought a youview box and became
my parents
(they
have
sky plus now, I suspect they
have a couple of other recording devices as well, but haven't
checked). The
irresistible allure of the green button, combined with my overly
eclectic taste, is my achilles heel. Every new series that looks even
faintly interesting I have now got on series record. Every movie I
quite like the look of is sat on the hard drive, tapping its foot,
looking at its watch, tutting and waiting, and the piles and piles of
DVD box sets that I'll get round to one day are still there. All
staring accusingly at me, wondering why I bought them if I wasn't
even going to watch them. And there is still more than enough TV to
watch live anyway, when the fuck am I going to find the time to watch
all this? And how on earth is it going to help me? This new
golden age of television is
not relaxing in the least.
Back when we only
had four channels, you could count the number of 'must-see' TV shows
on your hands (probably just one of them) and I honestly can't
remember any of them now. Sure, there was Star Trek, Red Dwarf,
Quantum Leap, Battlestar Galactica and so on, but you could miss as
many episodes of those as you liked and still be able to follow the
plot. Try doing that with Breaking Bad, Madmen or even my favourite
daytime guilty pleasure, Doctors (which used to be perfect for not
having to keep up with before it decided it needed running plots).
I
blame these two for ruining a perfectly good show
I tried it with
Happy Valley, series one was on before I had a recordy-box-thing, on
a band practice night, so I didn't see it. I thought I'd have a go at
series 2, and immediately had no idea what the hell was going on. It
seemed to me that the amazing twist on the
detective-with-difficult-personal-life-who-doesn't-play-by-the-rules
trope was just that she was a lady, and northern, hardly a twist, and
quite unnecessary. After a couple of episodes I realised that that
was actually necessary, and stopped being an accidental mansplaining
chauvinist southern-centric dickhead about it. Anyhow, thanks to my
wife having seen series one, I found out the back story without
having to watch another six hours of 'must-see' TV (or regret it as
much as asking my stepdaughter a brief 'what the hell is going on
here?' question about Hollyoaks which led to the longest and most
unnecessary roundabout explanation I have ever heard).
I
know who these people are, but it gets a bit hazy after that
Over the years I
have learned to live with my
always-threatening-to-topple-over-and-flood-the-living-room pile of
books to read, and it's digital equivalent on my kindle. I have even
gotten to grips with the seemingly infinite amount of DVDs I have
spilling out from every place in the house that isn't already filled
with books or records. Having the added stress of the long blue list
with 'unwatched' flashing at me every time I idly flick into the
recorded section of my tellybox and no clue as to which will be the
thing you will have to have seen to understand twitter that week is
no laughing matter (who am I kidding, of course it's a laughing
matter, it's hysterical).
Sadly, the truth is
that now, if you want to keep up with all the many things that you
are supposed to have seen, you will probably need to watch at least 4
hours of TV a day and then not talk to anybody about it for fear of
spoilers (fuck spoilers, if you are surprised that Walter White dies
at the end of Breaking Bad you are an idiot, and if you didn't want
to know that Han Solo gets killed by his son you should have just
paid to go to the cinema before now you tight-fisted chimpknuckle).
I
did say there were spoilers didn't I?
I have, in the last
couple of weeks, deliberately not started watching at least four new
series that I thought I might like, I didn't even record them
'just-in-case' and I am not going to even look at iPlayer. I realise
now that the reason I wrote more songs, read more books, heard more
music and did more things when I was younger is because I could watch
a whole week's worth of good telly in a couple of hours. I would like
to say I can go back there (unlike the famous 'we don't own a telly'
types and their netflix-laden tablets, lying twats) but I doubt it, I
like telly, and becoming my father is really no bad thing (apart from
the voting tory bit).
This
is not my Dad, but if he was I wouldn't skewer him with a lightsaber